Book 1: Lycans Sacrifice: A Werewolf Romance (Lycans Series)

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She develops characters that are complex and relatable, so much so that you fall in love immediately. Smith is a great choice if you are looking for books that are fun, emotional and romantic. Her writing is fast-paced, and the characters are well-developed and relatable. Mark Tufo is one of the most popular and talented authors in the field of contemporary paranormal fantasy. Tufo is a master at creating characters that are scrappy and rebellious and writing with a level of tongue-in-cheek wit that is rare in this genre. His Lycan Fallout series offers a spectacular and quirky range of beloved characters and plot lines twist and turn at a pace that the reader can only barely keep up with—in the best way possible.

It is the second book in the action-packed series, and many say it is his best book. Characters come and go, often reappearing later in the series, which keeps readers interested and engaged emotionally. Readers love the way that the character is set in the first-person narrative, as it makes things all the more relatable. It is the typical battle between good and evil, but with some unexpected twists and sacrifices. Get your Kleenex ready, as this is a serious tear-jerker. Quinn Lofits reels you into book 7 of the Grey Wolves series with even more power than the last. To date, she has written 17 novels, and it shows in her elegant storytelling.

Quinn is a master at crafting stories that not only leave the reader sitting on the edge of their seats but leave them white-knuckled as they ride alongside the characters through many ups and downs. Minash said that he could not change at will, but it happens on special occasions. For example: One time my friend was changing his car tire and somehow had his leg underneath his jacked up car and the jack got loose and the flat tire pinned his leg. He was screaming. All of a sudden, I shape-shifted into a black bear and lifted the car off his leg.

He looked at me and was astonished. He later told me that he saw me shape-shift into a black bear when I lifted the car. He said the shape-shift was only for a minute or so, enough time for me to lift up the car. He now thinks he was delirious during the time from the excruciating pain and imagined what he saw. Later, after his interview with Minash and Tana, Paul Dale Roberts considered the possibility that one could be a shape-shifter and move from a human body and transform into an animal: Could it be that somehow certain people have DNA molecules that interact with our own reality and on the atomic level interact with still another reality?

In one reality we are humans, and in an alternate reality, our molecules on the atomic level change—and we discover we are now an animal, such as a bear, wolf or even a bat. Perhaps ancient gifts from our ancient gods were once bestowed upon certain individuals. The DNA that these unique humans possess places them from our reality into another alternate reality, a reality that their ancestors are too familiar with. Energy cannot be destroyed, but it can be altered, so on the sub-atomic level, on the quantum level, our own bodies are pure energy and changing from a human to a werewolf should not be any kind of problem at all.

Of course these are my thoughts, my theories. Sources: Davidson, Ellis H. Gods and Myths of the Viking Age. Russell, Jeffrey Burton. Witchcraft in the Middle Ages. Curious as to what he might be doing on the shoulder of the road, she slowed down to take a closer look. Within the next few moments, she was astonished to see that the being spotlighted in the beams of her headlights was covered with fur, had a long, wolflike snout, fangs, pointed ears, and eyes that had a yellowish glow.

Lorianne sped off, thinking that the creature was so humanlike that it had to be some kind of freak of nature. Later, when she visited the library, she found a book with an illustration of a werewolf. She said that she was startled to see how much the classic monster of legend resembled the beast that she had seen that night on Bray Road right there in Elkhorn, Wisconsin.

Doristine Gipson, another Elkhorn resident who sighted the creature on Bray Road, described it as having a large chest, like that of a weight lifter. She was certain that she had not seen a large dog, but a humanlike creature that had a wide chest and was covered with long, brown hair. A twelve-year-old girl said that she had been with a group of friends walking near a snow-covered cornfield when they sighted what they believed to be a large dog. When they began to call it, it stared at them, then stood upright.

As the children screamed in their alarm, the beast dropped back down on all fours and began running toward them.

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Fortunately for them, the monster suddenly headed off in another direction and disappeared. I was also impressed by the fact that they all noticed a certain jeering cockiness from the creature as it made eye contact with them. Even when the witness is some distance away, he or she reports feeling almost more like the observed than the observer. And that is very unnerving to even the most macho, outdoorsy of the witnesses.

I was also struck by the fact that the creature apparently was more interested in getting away than in harming anyone. So if witnesses think there is something different enough about what they see that they are compelled to report it, I just put it down exactly as they tell it.

I feel the more information we have, the easier it will be to see patterns. She was size, speed, posture, or even as some have reported, not the first to see the Beast of Bray Road art by telepathic communication!

Ricardo Pustanio. Or perhaps you are talking about the medieval notion of a human who is able to project an astral entity that looks like a wolf usually while the person is sound asleep that is able to roam the countryside, kill and eat people and which, if wounded, will transfer the wound to the corresponding area of the human body. However, I do consider the possibility. The Beast of Bray Road. The Beast of Bray Road movie, D irected by Leigh Slawner and featuring Jeff Denton, Thomas Downey, Sarah Lieving, and Joel Hebner, this is a kind of documentary with dramatized re-enactments and fictional characters to provide audience involvement.

The motion picture focuses on a local sheriff, who at first is highly skeptical of the reports of a werewolf in his jurisdiction. He slowly becomes a believer as he investigates a series of horrible deaths that appear to be caused by some unknown beast. As the film progresses, it links the fatal lupine attacks to a fierce predator that possesses the DNA of both human and wolf.

Although Lyons and Toulouse are populous cities, the outlying area is sparsely settled. In the s, rural residents of the area were terrorized by a werewolf that allegedly killed hundreds of people during a bloody three-year reign of bestial butchery. Outlying farms were abandoned as the monster preyed upon the peasants. Entire villages were deserted as the beast moved boldly into these communities in search of new victims.

The creature was described as a hairy beast that walked upright on two legs. Its face was sworn to be like that of Satan, and its entire body was said to be covered with dark, bristly hair.


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Deep claw marks on the bodies of its victims indicated that the monster sucked blood from the corpses. On the night of January 15, , a blizzard raged in the mountains. When his fifteen-year-old son did not return from tending sheep, Pierre Chateauneuf lit a torch and went in search of the boy. The horrified father discovered the mutilated body of his son near the bawling flock.

He laid the pitiful corpse on the plank-wood floor of his home, covered the form with a quilt, and slumped sorrowfully into a chair. It was then, Chateauneuf later told the authorities, that he saw the beast staring at him through a window. The angry farmer dashed to a wall, pulled down a musket and fired point-blank at the creature. Chateauneuf testified later that as he reloaded the musket and ran outside, he saw the beast running across the snow toward his orchard.

The frightened, grieving farmer heard the howl of the wind, saw the giant footprints being erased in the drifting snow, and, reluctantly, returned to his home. He knew that it would have been death to follow the creature into the mountains. Pourcher said that he fired at the monster, but he was trembling too much from fear to be an accurate marksman. Five days later, several children were playing in a field outside the village of Chamaleilles. Little Jean Panafieux dashed into some brush for concealment during a game of hide-and-seek and found himself confronted by the beast.

Andre Portefaix, a young farmer, grabbed a pitchfork and stabbed viciously at the werewolf. Other men from the village soon joined Portefaix, and, with clubs and stones, they drove the beast back into the surrounding hills. After the soldiers had left the region, the murderous rampage of the beast increased with savage fury. Parish records reveal daily attacks by the monster, who seemed to choose housewives and children as its principal victims.

As dusk deepened into darkness, the monster charged its pursuers and was shot down. Jean Chastel was given credit for the kill. He happened to glance up from his devotions and saw the beast coming directly toward him, walking erect. Chastel said that he had prepared himself according to certain ancient traditions. His double-barreled musket was loaded with bullets made from a silver chalice that had been blessed by a priest. It let out a fierce howl and charged its attacker. The werewolf dropped dead at his feet, the silver bullet in its heart. Some researchers have argued that the beast was some type of rare leopard, others a wild boar with deadly tusks and tough, dark bristles.

Chastel himself described his trophy as possessing peculiar feet, pointed ears, and a body completed covered with coarse, dark hair. The general consensus among the members of the hunting party claimed that the beast was a true werewolf, half-human and half-wolf. It is known for certain that the carcass of a large wolf was paraded through the streets of several villages in the area as proof that the terrible beast had truly been killed. Abbe Pourcher of St.

Martin de Bourchauz parish in the mountains recorded statements from those people who had encountered the beast and survived its attack. He also interviewed members of the posse that had slain the creature.

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He also noted that certain rumors had it that a large wolf carcass had been paraded through the village streets because the actual beast had been too terrible to display. And cemetery and municipal records attest to the hundreds of people who were killed by the murderous monster—whether werewolf, wolf, or whatever. Sources: Hurwood, Bernhardt J. Terror by Night.

New York: Lancer Books, Armstrong, and L. Jones, and directed by Philippe Mora, a woman is sexually assaulted by an evil spirit. She then gives birth to a son who provides a new fleshly home for the entity. Writer Tom Holland adapted the screenplay from a novel by Edward Levy. The version most familiar to contemporary audiences is that recorded by Madame Le Prince de Beaumont in her Magasin des Enfans Beauty is the youngest of three daughters of a merchant who is traveling away from home in a desperate effort to reestablish his failing business. While on his journey, he is caught in a terrible storm and seeks refuge in a castle.

During his stay, he is provided with all the blessings of hospitality, but he sees no one. Before he left home, the two oldest daughters begged for elegant gowns and expensive gifts, but all Beauty wished from her father was a rose. Surely, he imagines, no one could object to his taking just one rose from the garden. The enraged Beast suddenly appears, prepared to slay the merchant for such a breach of etiquette. If this demand is not met, Beast will hunt him down and kill him.

She is granted her wish that she return to visit her father for only one week. The weeks go by, and Beauty stays with her father until she has a vision in which she sees that Beast is dying. While there is no folklore that suggests a werewolf can be redeemed by the love of virtuous maiden, the tale could represent love and compassion as antidotes for the bestial impulses within all humans.

In certain regions of the Middle East, Beast is a boar, complete with large, curved tusks. Among some African tribes, he is a crocodile. Sources: Gaskell, G. Dictionary of All Scriptures and Myths. Avenel, NJ: Gramercy Books, Hazlitt, W. Beauty and the Beast movie, T here have been several film versions of Beauty and the Beast.

The Embassy version shot in France, is the classic fairy tale of a man transformed into a werewolf by a curse and redeemed by love was made into a brilliant motion picture by Jean Cocteau. A version of Beauty and the Beast, was directed by Edward L. Starring Eduard Franz, Mark Damon, Joyce Taylor, and Michael Pate, it is a retelling of the classic fairy tale in which a prince is afflicted by werewolfism on the nights of the full moon. George C. Scott was nominated for an Emmy for his interpretation of the Beast.

Beaver People T he Osage tribe has a legend that until Wabashas, the first human, was created, the Great Spirit had appointed the beaver to be chief over the birds, beasts, and fish. In fact, Chief Beaver would offer Wabashas the hand of his lovely daughter in marriage to cement their friendship. In the eyes of the Osage, and perhaps all the tribes of the Northeast, the beavers in their streams were the Little Wise People. The industrious creatures built their communities of lodges and kept to themselves and provided great healing powers whenever the tribes had need of their medicine.

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For the shamans of many tribes, the beaver serves as a familiar, a spirit being that accompanies them on journeys out of the body. Sources: Emerson, Ellen Russell. Indian Myths. Gaskell, G. Becoming a Werewolf T here are two basic ways by which one might become a werewolf: voluntary and involuntary. According to the ancient Greeks, any skilled sorcerers who so chose could become a werewolf. Others tell of inhaling or imbibing certain potions. Magical texts advise those who wish to become a werewolf to disrobe, rub a magical ointment freely over their flesh, place a girdle made of human or wolf skin around their waist, then cover their entire body with the pelt of a wolf.

To accelerate the process, they should drink beer mixed with blood and chant a particular magical formula. Some werewolves claimed to have achieved their shape-shifting ability by having drunk water from the paw print of a wolf. Once this had been accomplished, they ate the brains of a wolf and slept in its lair. One ancient text prescribes a ritual for the magician who is eager to become a shape-shifter. He is told to wait until the night of a full moon, then enter the forest at midnight.

Then, according to the instructions: Draw two concentric circles on the ground, one six feet in diameter, the other fourteen feet in diameter. Build a fire in the center of the inner circle and place a tripod over the flames. Bring the water to a full boil and throw into the pot a handful each of aloe, hemlock, poppy seed, and nightshade. As the ingredients are being stirred in the iron pot, call aloud to the spirits of the restless dead, the spirits of the foul darkness, the spirits of the hateful, and the spirits of werewolves and satyrs.

Once the summons for the various spirits of darkness have been shouted into the night, the person who aspires to become a werewolf should strip off all of his clothing and smear his body with the fat of a freshly killed animal that has been mixed with anise, camphor, and opium. The next step is to take the wolf skin that he has brought with him, wrap it around his middle like a loincloth, then kneel down at the boundaries of the large circle and remain in that position until the fire dies out. When this happens, the power that the disciple of darkness has summoned should make its presence known to him.

If the magician has done everything correctly, the dark force will announce its presence by loud Modern stories about werewolves usually involve shrieks and groans. By far the most familiar involuntary manner in which one becomes a werewolf is to be bitten or scratched by such a creature. Another involuntary means of becoming a werewolf, according to some old traditions, is to be born on Christmas Eve.

Thus, those born on that night are condemned to be werewolves unless they prove themselves to be pious beyond reproach in all thoughts, words, and deeds throughout their lifetimes. Being Human television series, — Joshua L. Roberts B eing Human is a British supernatural drama revolving around the lives of Mitchell a vampire , George a werewolf , and Annie a ghost. The series was written and created by Toby Whithouse, and the original pilot first aired on February 18, Due to its smart writing, fantastic acting, and liberal use of practical effects over CGI, Being Human became a huge success in the United Kingdom, and produced an eager cult following in the United States.

The American version follows the same overall story as the British version, and it is currently being aired on SyFy in the United States and Space in Canada. Berserks S ince earliest times, more levelheaded persons have observed that when a man becomes absolutely filled with rage, he is no longer quite human. Either the beast within or some other supernatural power has now endowed the angered, raging man with more strength and more deadly determination to work harm against his enemy than he had before he became so angry, so berserk. Among the old tribes of northern Europe, the warriors known as the Berserks in Old Norse, Berserkir were so filled with the savage joy of battle that they tossed aside their armor and wore only bearskin shirts into battle in dedication to the Goddess Ursel, the She-Bear.

To the Germanic tribes, the bear was a masterful martial artist, and the angered she-bear protecting her cubs was the most formidable challenge a warrior could ever face. The oldest reference to berserks is in a poem composed to honor the Norwegian king Harald Fairhair after his victory at Hafrsfjord about They bit their shields and were stronger than bears or bulls. They killed many men but they themselves were unharmed either by fire or by iron; this is what is called berserksgangr berserk-fury.

Simek, Rudolf. Dictionary of Northern Mythology. When Bertrand was arrested for the heinous crimes that shocked Paris in , his fellow soldiers were stunned. It seemed incomprehensible to them that their twenty-five-year-old comrade could be the monster that had profaned the sanctity of Parisian graveyards. In the eyes of his friends Bertrand was intelligent, lucid, handsome, and sensitive. If anything, he was rather delicate and unusually quiet for a professional soldier.

Bertrand himself was of little help in analyzing the gruesome nature of his crimes. He could only say that he had been driven by forces beyond his control. He was powerless to disobey the awful compulsion that bid him dig up the newly dead and tear at their flesh with his sword, his bare hands, and his teeth. As soon as he could slip out of the military barracks, he would make his way to a cemetery where he would dig at the unsettled soil of a fresh grave. Once he had exhumed the corpse, he would strike at it with his sword until he had slashed the body to shreds.

This terrible deed of desecration and mutilation accomplished, he would experience a release that would immediately free him of the throbbing headache and the other physical symptoms. On one occasion, while walking with a comrade, Bertrand sighted a freshly dug grave in a cemetery and immediately began to suffer the agony of his private torment. Nervously he tried to make carefree conversation with his companion, but his thoughts kept returning to the newly dug plot in the little cemetery.

He knew that he must return to it that night. In order to leave the military camp without been seen, he had to swim a wide ditch in which huge chunks of ice bobbed. In order to enter the cemetery, he was forced to scale a high wall. But to Bertrand, in the trancelike obsession of his private curse, the bitter cold and the physical obstacles were not a problem. When he was finally captured after a night of indulging his ghoulish passions, Bertrand told his captors that he was completely unable to explain his actions.

As difficult as it might have been for his jailers to hear, he proclaimed that he had always been a very religious person, offended by indecent talk and actions. Sources: Hurwood, Bernardt J. Masters, R. Perverse Crimes in History. New York: The Julian Press, Bisclaveret F rench romances frequently include werewolves among their cast of characters.

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One of the earliest c. In Brittany, Bisclaveret is the name given to the werewolf, which, in that region, is a human who has been transformed by magic into a vicious beast. Black Dog W hile the Somerset region in England has a tradition of a large, benevolent Black Dog that accompanies lone travelers as a kind of protector and guide, the vast majority of Black Dog folklore depicts the dark canine as an ominous creature that forebodes death to those who behold it.

Great Britain, especially, seems to have more than its share of demonic hounds. The very glance from the devilish eyes of the black hound of Okehampton Castle on Dartmoor means death within the year. The Black Dow Woods in Wiltshire are haunted by a black dog whose appearance signals a death before Christmas.

According to an old story that is often told in England, there was a terrifying thunderstorm that descended on Bungay on Sunday, August 4, The storm transformed the day into a darkness, rain, hail, thunder, and lightning beyond all imagining. Fearing the worst, a number of the townsfolk had gathered in St. As the lore tells it, it was while the people knelt in fear and prayed for deliverance, that a large black hellhound manifested suddenly in their midst.

Without any challenge from the cowering congregation, the massive black hound charged many members of the church with its terrible claws and large fangs. According to a verse taken from a pamphlet published by Rev. Its appetite for human flesh had merely been whetted by its attack on the people of Bungay, for it viciously mauled and killed more churchgoers at Blythburgh. Fleming testified that in some instances, the monster wrung the necks of two churchgoers at the same time, one victim in each of its paws as it stood upright.

At Blythburgh, the hellhound burst through the church doors, ran into the nave, then dashed up the aisle, killing a man and boy. In addition to leaving bodies strewn about before it departed the church, the monster left numerous scorch marks about the church—marks, which people swear, can still be seen to this day. According to legend, in , a man named Scholler was brought into the prison to face accusations of Witchcraft. Before the man could even come to trial, starving prisoners had killed and eaten him.

Not long thereafter, the Black Dog appeared, its huge canine jaws eager for revenge. Whether the phantom hound was the spirit of Scholler returned in another form or whether the beast was his familiar come to avenge its master, the cannibalistic prisoners were so terrified of the apparition that they murdered their jailers and escaped.

According to the legend, however, the Black Dog hunted down each one of the men who had dined on Scholler. Then, its mission of revenge completed, it returned to Newgate to haunt the prison walls. Black Dog folklore from England portrays the dark canine as an ominous creature that forebodes death to those who behold it, though there are also stories of the Black Dog being a benevolent spirit that protects travelers art by Ricardo Pustanio.

Wright, Bruce Lanier. Blood T he emotional impact that blood has retained upon even our sophisticated, spaceage generation is demonstrated in the number of people who faint at the very sight of it. For early man, blood was life itself, and it is not at all surprising to discover the vast number of magical and religious rituals that center around the vital fluid. And since blood contained the very essence of an individual person or animal, it becomes apparent why it was often deemed extremely expedient to drink the blood of a lion, a bear, a wolf, or a great vanquished warrior foe if one wished to absorb the inherent elements of strength and courage possessed by the fallen beast or enemy champion.

The cup of wine shared by celebrants of the Last Supper represents the blood shed by Jesus on the cross as he offered himself as sacrificial lamb to take away the sins of the world. With such powerful religious representations of blood and such awesome scriptural admonitions against the ingesting of blood, what monsters could be more hideous than the werewolf or the vampire that lusts after human blood? On some deep level of consciousness, the knowledge that humans are not basically carnivorous arouses an unconscious sense of immorality and sin whenever we partake of nourishment that we know involved the shedding of blood.

And the ancestral memory of those primitive, savage, nocturnal lupine hunters who clothed themselves in wolf skins and slaughtered animals for food for their human pack fills us with dread when night falls. The wild hunt of the werewolves becomes an inherited fear that strikes even the most sophisticated of civilized men and women when the moon is full. When the traditional Native American must take the life of an animal in order to survive, the practitioner of the medicine ways kills only after uttering a prayer, as if he were performing a sacrament.

The entity the soul of the animal and its group spirit must be told that such an act is necessary in the turning of the great Wheel of Life. Blood and Chocolate movie, I nspired by the popular young-adult novel of the same name by Annette Curtis Klause, Blood and Chocolate is perhaps more greatly appreciated by those patrons of the motion picture who had not previously read the novel. Fans of the book were probably taken aback when the sixteen-year-old werewolf Vivian, who lives in Maryland, is a nineteen-year-old who lives in Romania in the movie. To name only a few other differences between the book and the film, the characters, who are all American in the novel, now have French, English, and Romanian accents.

In the film, Vivian works at a chocolate and sweets shop, thus explaining the title. In the novel, she has no job. Lovers of the novel are confused when they learn in the film that Vivian, an only child, had siblings who were killed along with her parents. In the novel, Rafe and Astrid are lovers, but in the film they are mother and son. According to the custom of the Bucharest werewolf clan, the leader chooses a new mate every seven years. Each full moon, the Romanian pack selects as its prey a human who has become a danger to the clan or who has offended one of its members.

The victim is cut to leave a blood scent, then told to run for his life through the woods. Vivian meets Aiden, a graphic novel artist, who ardently pursues her until she finally consents to begin to see him. She falls in love through the course of their secret meetings, but their bliss ends when they are discovered by Rafe. Rafe tricks Aiden into a meeting at a chapel outside the city and reveals his true identity as a werewolf.

As the two struggle, Aiden manages to kill Rafe with a silver medallion. Aiden is captured by other members of the pack and chosen for prey at their monthly hunt. Aiden kills two werewolves with a silver knife and manages to cross the river. Gabriel, furious over the death of his son, forgets the vow to spare Aiden and attacks him. Vivian, in her shape as a white wolf, pushes Gabriel into the river.

Confused, Aiden slashes Vivian with the silver knife and is stricken with guilt when she changes back into human shape. Astrid confronts the two lovers with a gun, but is convinced to allow them to escape. Later, as Aiden and Vivian seek an antidote to her werewolfism, Vivian is captured and caged by Gabriel, who tells of the prophecy that a female wolf who will lead her kind into a new age.

Before Vivian and Gabriel can fight to resolve the meaning of the prophecy, Aiden shoots the leader of the werewolves. Blinding other pack members with a silver dust, Aiden sets fire to the building.

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Vivian kills Gabriel, and the two lovers make their escape. Bodin, Jean — B efore Jean Bodin died of the plague in , he had been hailed as the Aristotle of the sixteenth century. His Republique, published when he was but a youth, was praised as containing the very spirit of the law. A celebrated jurisconsult, a leading member of the Parliament of Paris, and a highly respected intellectual, Bodin was known throughout Europe as a formidable scholar of history, political theory, and the philosophy of law. By writing Demonomanie des Sorciers, however, Bodin became one of the men most responsible for keeping the fires of the Inquisition burning brightly.

The Demonomanie was first published in Paris in and again under the title of Fleau des demons et des sorciers in In the first and second books of this monumental work, Bodin offers his proofs that spirits communicate with humankind, and he itemizes the characteristics by which one might distinguish good spirits from their evil counterparts. Bodin acknowledges that he is well aware of spells by which one might change into a werewolf or to summon incubi or succubi for carnal ecstasies. The third book details methods by which the work of sorcerers and shapeshifters might be prevented and destroyed, and the fourth book lists ways by which Witches, werewolves, and other servants of Satan may be identified.

The massive work concludes with a refutation of the arguments of Johann Weyer who, Bodin concludes, is in grave danger of committing heresy by stating that Witches and shape-shifters are merely people with unsound minds. Sources: Masters, R. Eros and Evil. Trevor-Roper, H. The European Witch-Craze. Perhaps parents would be a bit more cautious in their summoning of such an entity if they knew that the Bogey is traditionally a shape-shifting demon that may have begun its nefarious career by haunting bogs, but since has delighted in carrying off the souls of the unsuspecting, especially errant children.

Interestingly, the Bogey is also a common figure in Native American mythology, and during some dances, special masks are worn to turn the tables on the spirit and to frighten him away from the children of the village. Sources: Gill, Sam D. Dictionary of Native American Mythology. New York: Oxford University Press, Boguet, Henri — I n , Perrenette Gandillon, a werewolf, was seen attacking two small girls who were picking strawberries near a village located in the Jura Mountains.

Enraged villagers, hearing the cries and sounds of struggle, cornered the werewolf and clubbed it to death. Amazed, they beheld the grotesque beast in its death throes turn into the nude body of a young woman they recognized as Perrenette Gandillon. In his Discours des Sorciers Henri Boguet, eminent Judge of Saint-Claude in the Jura Mountains, writes that an official investigation of the matter led to the arrest of the entire Gandillon family, and he states that he personally examined and observed them while they were in prison. According to his testimony, the Gandillons walked on all fours and howled like beasts.

Their eyes turned red and gleaming; their hair sprouted; their teeth became long and sharp; their fingernails turned horny and clawlike. Antoinette Gandillon freely admitted to being a werewolf and said that she had had intercourse with Satan when he assumed the form of a goat. Her brother, Pierre, was accused of luring children to a Satanic Sabbat, where he turned himself into a wolf and killed and ate them.

When the Gandillon family hunted, they said that they ran on all fours to bring down their victims. Antoinette, Pierce, and Georges were convicted as werewolves by Judge Boguet and they were burned at the stake in He had no doubt that Satan gifted Witches with the ability to change shape into a variety of animal forms, especially the wolf, so that they might devour humans, and the cat, so they might better prowl by night. In another of the cases recounted in Discours des Sorciers, he tells of eight-year-old Louise Maillat, who in the summer of was possessed by five demons: Wolf, Cat, Dog, Jolly, and Griffon.

In addition the little girl was accused of shape-shifting into the form of a wolf. Boxenwolf I n the Schaumburg region of Germany, werewolves are called boxenwolves because it is believed that they have made a pact with Satan that allows them to achieve transformation into wolves by the act of buckling a diabolical strap about their waists.


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Boxenwolves are noted for their cunning and the great delight they receive from tormenting people. If one suspects an individual of being in league with Satan and a secret boxenwolf, his or her true identity can be revealed by holding a piece of steel over them. Sources: Lyncker, Karl. Deutsche Sagen und Sitten in Hessischen Gauen. Cassel, Germany: Verlag von Oswald Bertram, The Boy Who Cried Werewolf movie, A twelve-year-old boy experiences the horror of witnessing an attack by a werewolf on his father. Wilke, and Jack Lucas.

Bruxsa T he Bruxsa is a Portuguese shape-shifter that combines elements of both the werewolf and the vampire. The predator leaves her home at night and transforms herself into a hideous, gigantic bird-creature. After an evening of cavorting with others of her diabolical kind and terrifying lonely travelers on dark roads, the Bruxsa returns home to suck the blood of her own children. A local gentleman told me that in the s in the town of Vilar, there was a young woman named Heila Batista. She had two children, ages nine and twelve. Bear Necessities. Serengeti Storm. Wulf's Den. Marisa Chenery.

Red Riding Hoode. By the Tail. Bear Naked. Beneath the Skin. Lauren Dane. Mate Magic. Shattered Emotions. Carrie Ann Ryan. A Pack Family. Prime Selection. Monette Michaels. Prime Obsession. Kiss of Heat. Lora Leigh. Surviving the Pack. Roxie's Protectors. Awaken a Wolf Wiccan-Were-Bear 9. A Grim Holiday. Redeeming Rue Ashland Pride Four. Figure of Speech.

Dare To Believe. Hecate's Own. Annmarie McKenna. Saving Scarlett Ashland Pride Five. Prime Imperative. Artistic Vision. My Magic Mate. Very Much Alive. Heart of the Wolf. Terry Spear. A Siberian Werewolf Christmas. A Siberian Werewolf In Paris. Seeing Eye Mate. Eye of the Beholder. The Alpha Won't Be Denied. Georgette St. Blood Mate. Mina Carter.

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